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Orlando Franco

​​Orlando Franco is a visual artist, independent curator, teacher and educator based in Lisbon. PhD in Media Art, Lusófona University. His doctoral work explored the theme of curatorship understood as an artistic act. Assistant Professor, Cinema and Media Arts Department, Lusófona University, Guest Professor at ESAD.CR and Co-director of the Master in Photography. His artistic work explores video, image, installation and drawing. His research seeks to expand and amplify ideas and concepts such as tension and suspension, weight and lightness, achievement and frustration. Postgraduate in Art Theory at Faculty of Fine Arts, Lisbon University. Degree in Fine Arts at ESAD.CR, Erasmus Scholarship, School of Fine Arts of Salamanca, Spain. Exhibits regularly since 1999. Recent exhibitions include Notes on Empathy and Otherness (Centro Cultural de Lagos), AWARE (BAG – Banco das Artes Galeria, Leiria), The Eyes Are Not Here (Trem Gallery, Faro), and WAIT (Berardo Collection Museum, Lisbon). Ciência Vitae

Soraya Vasconcelos

Soraya Vasconcelos is a visual artist, lecturer and researcher. PhD in Communication, Culture and Arts (UAlgarve). Apart from teaching, she is involved in various projects connected to photography and art, namely Photo Impulse (ICNOVA) for which she was full-time researcher from 2019-2022, focusing on a critical, decolonial analysis of the photographic and film archives produced in the context of Portuguese colonial science, of their visual, political and communicative affordances; and ATLAS of Photobooks in Portugal that aims to create a digital platform, including podcasts and other original contents and a database of Portuguese photobooks published in the last two decades. She collaborated with Propeller Magazine, an editorial project by Hélice, a photographers’ collective in Lisbon; and co-proposed and co-coordinated the collective and interdisciplinary project Estação Vernadsky (Sines/Lisbon 2017-18). Her artistic practice includes photography, drawing, book and printmaking and installation; she has become increasingly interested in the intersections between fields through collaborative and interdisciplinary methods. Ciência Vitae

Design Capital

Design Capital is the title of a book series that expose challenging and critical long-form essays about fundamental structures sustaining the design field. The books hijack a term that reflects the power struggles and quests for control and hegemony happening in design discourse and practice, and the politics that they embed and reproduce. Formed by five immersive, critical volumes, Design Capital aims at rigorously questioning the foundations of the field, as well as opening space for marginalised worlds within it.

It starts with a question, perhaps a passing interest. Design takes over a city, with clutters of exhibitions in galleries and disused spaces working loosely in response. New biennials and festivals and weeks emerge every year. Old events happen again simply because they happened before. What is it that these events and their predictable patterns actually achieve, though?For almost 200 years, continuing a line of thought first started by events like the Great Exhibition, ‘design events’ have become more and more popular across Europe, tangling around local, national, and international politics and economics. But can design be important or meaningful at this kind of scale? And how do these events act on people and places — as well as on the discipline itself? With the pause that the pandemic offers, is this the moment to examine who and what they exclude, taking the time to imagine what they could be instead?

 

Details: Author, Hannah Ellis; Editors, Francisco Laranjo, Luiza Prado and Silvio Lorusso; 190 x 155 mm, 64pp; Publisher Onomatopee.
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Mahmoud Keshavarz

Mahmoud Keshavarz is a Senior Lecturer in Design Studies at HDK-Valand Academy of Art and Design. He holds a PhD in Design and Readership (Docent) in Cultural Anthropology. His work focuses widely on the politics of design and the design of politics and how different material practices shape everyday perception and possibilities of (un)doing politics. His current research particularly examines intersections between design, anthropology, border politics and the question of (de-)coloniality and addresses the violent yet imaginative capacities of materialities of (im)mobility. His articles and essays have appeared in Design Issues, Borderlands, Design Philosophy Papers, Design and Culture, Journal of Modern Craft, Law Text Culture, and e-flux among others. Keshavarz is the author of The Design Politics of the Passport: Materiality, Immobility, and Dissent (Bloomsbury 2019), Co-Editor-in-Chief of the journal Design and Cultureand a Research Associate at Engaging Vulnerability, as well as founding member of Decolonizing Design and Critical Border Studies.

Ramia Mazé

Ramia Mazé is Professor in Design for Social Innovation and Sustainability at London College of Communication, University of the Arts, United Kingdom, since Sept 2020. She is also, since 2016, an editor of the leading scholarly journal Design Issues. Previously, in Finland, Ramia was a professor and head of education in the Department of Design at Aalto University and, prior to that,  worked at Konstfack College of Arts, Crafts, and Design, KTH Royal Institute of Technology, the national doctoral school Designfakulteten, and the Interactive Institute in Sweden. A designer and architect by training, her PhD is in interaction design. She has led, published, and exhibited widely through major interdisciplinary and international practice-based design research projects, most recently in social and sustainable design, design activism and design for policy. Ramia specializes in participatory, critical and politically engaged design practices, as well as “research through design” and feminist epistemologies. 

Inês Marques

Inês Andrade Marques (PhD Public Art) is a visual artist, Assistant Professor, and integrated member of the research center in design & art – Center for Other Worlds (ULHT). She has developed several public art projects with students since 2013, as well as interdisciplinary projects that blur the boundaries between artistic disciplines. As a researcher, she has focused on contemporary public art, and pedagogy in visual arts. She is a founding member and integrates the Coordination Council of Rede 3iAP (2019-2021) – Information, Research, and Intervention in Public Art Network, CITAR – Universidade Católica Portuguesa. She is a member of the Scientific Committee of the International Congress CSO – Criadores Sobre Outras Obras, School of Fine Arts – University of Lisbon, and is an external academic peer of the art journals Gama, Croma and Estudio, School of Fine Arts – University of Lisbon. Ciência Vitae

Hugo Barata

Hugo Barata is a visual artist, curator, and educator focused on critical anarchives and crypto-archives, as well as methodological approaches between art practice, curating and education. He has been exploring the concept of constellation to develop creative strategies in the fields of practice-based artistic research, the curatorial as a research-driven collaborative practice and informal methodologies for an inclusive education. PhD in Media Arts from ULHT, with a dissertation about the Archive and Contemporary Art. Recently curated exhibitions include Constellations I/II (CCB, MCB, Lisbon, 2019), Constellations III (CCB, MCB, Lisbon, 2020), In the Cohoorte of De Chirico (Arts College, Coimbra, 2021). He has worked as guest artist and education curator in institutions such as MAAT – Museum of Art, Architecture and Technology, Calouste Gulbenkian Foundation, CCB/Berardo Collection Museum, Lisbon City Hall – Municipal Direction of Culture and EGEAC, developing different social intervention projects and also formation courses. Ciência Vitae

António Cruz Rodrigues

PhD in Design from IADE – Creative University, Master in Industrial Design from Scuola Politecnica di Design in Milan, Degree in Industrial Design from IADE – Institute of Visual Arts, Design and Marketing. Director of the Master in Design, and Researcher at COW – Center for Other Worlds, ULHT – Lusófona University of Humanities and Technologies. Visiting Professor at Politecnico di Milano, Italy; Università IUAV di Venezia, Italy; Federal University of Santa Catarina, Brazil; Faculdade Nordeste (FANOR), Brazil; Pontifical Catholic University of Rio de Janeiro, Brazil; Chiba University, Japan; East China Normal University, Shanghai, China. Founder, CEO and creative director of Modus Design, Portugal. Conference Participation in international iniversities, business associations, technological centers in Portugal, Italy, Spain, Brazil, Angola, Japan, and China. Artist-photographer, with research about images as fundamental vehicles in the functioning of societies. Ciência Vitae

Natalie Woolf

Natalie Woolf holds a PhD in Design Products from the Royal College of Art, and a BA in Fine Arts/Painting from Leeds Beckett University. She has 12 years independent design and applied arts practice, and 6 years experience in Public Arts practice and consultancy in urban and rural development. Since 2015 Natalie has taught drawing for Design and Animation Studies BA’s and Hybrid Spaces MA; is the Curator of the Drawing programmes for DELLI – Design Lusófona, Lisboa and is an integrated member of COW – Centre for Other Worlds, Lusófona University. Main topics of research interest: material responsiveness to human presence and spatially distributed drawing. She is particularly interested in combining still and moving image and how that is mediated by and/or delivered through technologies. Natalie is active in academic research, participating as an author in publications and events and maintains her own creative practice at Atelier Concorde, Lisbon. Ciência Vitae

Patrícia Cativo

PhD in Design from the School of Architecture of the University of Lisbon and a degree in Communication Design-Graphic Art from the School of Fine Arts of the University of Porto. She is a full-time Assistant Professor in the Communication Design course at the School of Communication, Architecture, Arts and Information Technologies, at Lusofóna University of Humanities and Technologies, Lisbon. She received a scholarship from the Foundation for Science and Technology, within the scope of the research project with the doctoral thesis: “K” is cover: editorial design and postmodernism in Portugal in the early 90’s. She works independently as a graphic designer. Ciência Vitae